2012

As the sun sets on another year, I am as ever mining through my archive of the last twelve months. Through the full seasonal spectrum I still make time to document the trivial little signals in the world around me.
 Here is 2012 and here’s to 2013.
Happy new year

e

When you carry a camera

Amazing things happen.

Before I even begin, this is more an appeal to myself than anyone. I just don’t realise it yet.

Everyone wonders at some stage where they all go? All the thousands of images that get taken by photographers on and off the clock. No exaggeration, I shoot loads. I don’t use a digital chip and a fast shutter by accident, I exploit every advantage it gives me in my work. But with photography, as many other things, when there is a give there is also a take. Technology always feels inverse. What we gain in facility and convenience, we compromise in love. I have been no different.

I am not about to go prosaic on shooting film. I’m not even really lamenting. I am saying that I take an awful lot of images. They wind their way into the cryptic bowels of a hard driveand the odds of ever encountering them again stretch the longer I take more photos. But when the planets align, and I’m down for a trawl, it does literally feel like a blue moon. I find some of the most wonderful things. Things I am certain have just manifested through digital stagnation, like pixel metamorphosis. Images I can hardly remember taking let alone claim authorship of. Images to and from shoots. Waiting on trains. Testing my equipment. Getting my bag in order. Literally from just sitting on my lap, accidentally or otherwise, the motive long forgotten. Images that stand alone, that just amaze me in their perennial obscurity.

The confrontation at the end of all this is the realisation that I have neglected my camera and compromised the love. Stills of The-Every-Day. Tracing the line back, I started as any other photographer, by using their instincts and raw materials by taking pictures of what was around them. Slowly what was once my full outlet of photography got overgrown with commercial schedules and briefs. No complaints there, but to my right hand side there sits a bag with a camera in it. A device that can make crisp sense of shapes and colours gestures that bypass our eyes. It is these images that keep me alive. I can gradually close the bag as I drift into more a commercial approach. But if I do, I miss all of this…

 e