I’m a really happy man.
Theology, a bold and charismatic new production by Martin O’Connor, has just ended its run as part of The Arches Behaviour Festival programme. Performed in The Pearce Institute, a stalwart heart of Govan, everything about the work resounded community. From recruiting a unique male choir of local vocals, to writing that meditates on a generation of life in Govan, through thematic reworkings of an enormous global community – the Catholic Church. And I was invited to join the small community that collaborated on the work. Me and Martin worked together on a poster image for the show, I shot the production images and, a new and brilliant experience, I helped produce bespoke permanent images under the vision of the show’s designer that were hung as part of the set.
While I harp on perpetually about how much I love my job, it isn’t very often you get to work collaboratively with awesome creative people on an a project that is thematically and visually rich. Unlike much of my work, the nicest aspect of this project was the scale of my involvement from early in the show’s development and to be able to lend my vision to what is a wry, complex and moving piece of theatre. All boxes ticked really.
Like I said, I’m really happy.






In Time O’ Strife

I feel pretty grateful to hold this document in my hands. A playtext, precious on two counts. Firstly, In Time O’ Strife, the latest production from NTS. Its genesis in the writings of Joe Corrie, a beautiful but largely obscure Fife poet and playwright. “Obscure” may be an unjust description of this striking and humbling career, but it does hint at the ephemeral coincidence and fortunes that brought his writings back to the stage in 2013. A reminder that some of the most brilliant works spend a lifetime on the verge of never happening.

Secondly, this is my first published playtext. With images from my shoot with the company during rehearsals, the script becomes a more immersive medium to get lost in Corrie’s writing. I was sat front row centre last week for the opening of the production’s short run. A brave seat choice, as Joe Corrie’s words crystallised before us into a thunderous and emotional wave of stark, politicised energy. But gratitude remained as the smoke and lights cleared. To have worked on something so unintentionally evasive enjoy only a fleeting run. It felt that history was being made and remade on a torrential October night in Kirkcaldy.

In Time O' Strife Cast - Hannah Donaldson, Ewan Stewart, Tom McGovern, Vicki Manderson, Paul Tinto, Owen Whitelaw, Anita Vettesse - eoin carey photography
Hannah Donaldson, Ewan Stewart, Tom McGovern, Vicki Manderson, Paul Tinto, Owen Whitelaw, Anita Vettesse

Ewan Stewart as Jock - eoin carey photography
Ewan Stewart as Jock

Ewan Stewart and Anita Vettesse

Anita Vetesse as Jean - eoin carey photography
Anita Vetesse as Jean

Ewan Stewart as Jock
Owen Whitelaw and Hannah Donaldson
Owen Whitelaw and Hannah Donaldson

Hannah Donaldson as Jenny - eoin carey photography
Hannah Donaldson as Jenny

Owen Whitelaw as Wull Baxter
Owen Whitelaw as Wull Baxter

Paul Tinto as Bob - eoin carey photography
Paul Tinto as Bob

Vicki Manderson as Kate - eoin carey photography
Vicki Manderson as Kate

Tom McGovern as Tam - eoin carey photography
Tom McGovern as Tam

Jennifer Reeve - eoin carey photography
Jennifer Reeve

MJ McCarthy, Jennifer Reeve, Johnny Scott, Adam John Scott - In Time O' Strife Band
MJ McCarthy, Jennifer Reeve, Johnny Scott, Adam John Scott



This weekend ushers in the end of The Arches Behavior Festival for 2013. A heady five weeks of completely new work for the stage from Scottish and international artists. Eclectic and contemporary as only the Arches can, even the term “stage” is only applied loosely. This year saw a new creative partnership come to fruition between the Arches and NTS, which I am very indebted to have been involved in from early on.

The project gave five rising Scottish devisers an opportunity to research, incubate and perform new work at the festival. Each with their own developing trademarks and disciplines, some of them out and out rogues, but all of them auteurs of their craft. Having had the chance to meet them together for the school portrait lineup for a feature in The List, I was brimming to shoot all of their performances individually over the course of the month.

First was Gary McNair’s brilliantly referential investigation into stand-up comedy: Donald Robertson is not a Comedian.

Kieran Hurley explored notions of community and ideals of Scottishness in, effectively, a living room jamboree. Intimate and foot tapping: Rantin

Claire Cunningham’s ongoing curiosity in the body brought her to and back from Cambodia to begin a work meditating on the effects of landmines. A framework of disability through which the indiscriminate excess of war can be viewed from a humble perspective: Pink Mist

Finally, Rob Drummond’s centenary revisiting of Stravinsky’s Rites of Spring, through a screen of contemporary dance and music as well as recent societal dysfunctions. Leaving the outcome in the hands of the audience: The Riots of Spring

There have been heaps of great writing documenting the Festival, but for a succinct in house perspective check out Rosie’s blog.



There’s no fooling anyone now, Christmas is truly upon us.

I say it every year but it has taken me by surprise, again. Though I have no excuse. Over the last few weeks I have been working on several Christmas shows ready to hit the stages over busy December. So how can I pretend I didn’t see it coming?

Most notably, I shot the poster and promotional material for The Lyceum’s production of Cinderella. A festive mix of Parisienne charm with a few Ugly Sisters that wouldn’t be out of place in our own Glasgow.

I’ll let you make your own minds up about me and Matt’s performence. There’s a lot of great theatre that I cannot wait to see this month – I’ve still got my Panto Pout!


Back to the Stage

All eyes on deck!

At one fell swoop, here are my images from the recent and brilliant theatre productions I have had the pleasure of working on over the last month. All Scottish and all highly contemporary in their own ways.

First up, Ka-boing, is Random Accomplice’s The Incredible Adventures of See Thru Sam, which just finished its tour in Edinburgh’s Traverse a week back. Take a gander at their excellent website and admire Johnny McKnight’s comic book flair!

 And for my inner teenager, at my inner back of the bus:

I was invited to Perth to shoot Horsecross Theatre’s production of The Odd Couple last month. A rewritten female version of the classic 60’s play and film. Sensation overload: with a really sumptuously 80’s set, wardrobe and palette that I literally didn’t know where to look! On top of everything the downtown NY accents and antics had me rightly tickled.

Finally this month I had the pleasure of working for the first time with my fabulous Leith neighbours Grid Iron on their proudction of The Authorised Kate Bane, which finished its run at the Trav last week. It was a really atmospheric and wintery production and has done more to get me excited for the cold months ahead than all the tinsel and jingles that characterise the start of the season. It was great to work around such an intimate set and I was more than encouraged to get “in amongst it” which, as you know by now, there is nowhere else I would rather be.


An Appointment with Greg Hemphill

I had the great pleasure of shooting Greg Hemphill for the pre-production poster of the National Theatre of Scotland‘s new show that launched in Aberdeen on Tuesday. I am biding my time and praying to my diary for the chance to get my tickets for its visit to Glasgow.

The show is a heart-felt adaptation of the cult film starring Christopher Lee and Edward Woodward. If our portrait shoot is anything to go on, then the production looks set to be a total howl. I was asked to coax the Lord Summerisle from Greg so the designers could later dress and drop in front of a towering wicker inferno. Needless to say there was little coaxing needed.

It has been great to see the poster spread out across the local and national media. It has made the headlines a couple of times! I keep bumping into it inadvertently when I turn the pages of magazines and the papers. The company are broadcasting their production trials and tribulations from the NTS blog and in some top notch videos.

Book your appointment!

Lame pun. Sorry.



In one long overdue sweep of the hand, here comes a round-up like never before. Over the next few weeks i have a deep reservoir of work to excavate from the last few months. Live music, theatre, pop-up events, some celebration and the man in the street. The countdown is on to plaster up the blog before the new year arrives and with it that elusive “blank slate.” And i don’t want to be the one sitting on mountains of unsung footage while everyone else is off playing in the lush glens of paradise this new year now, do i?

To kick off the deluge of imagery is some of the rehearsal coverage from the the recent NTS production Truant. That December is rolling in, full of glowing fanfare and frosty promise and, for many, it inevitably ends as the year began, at home with family. Truant shines a cold light on youth and adolescence as much as it does on the family unit. Depicting the broken home from every class across the full spectrum of hurt and negligence, it hits our idea of truancy and family from every angle. It is an emotional confrontation that beautifully balances terse and very human dialogue with daydream sequences of abstract movement.

I was very happy to be able to be part of Truant’s development. It is always exciting to see a performance slowly tighten up over rehearsals until it uncoils itself in the theatre. It has finished its tour in the theatres and community centres of Glasgow but hopefully this is not the end of the road.


Back in the fish tank

Some of the crew from The Wind up Bird Chronicle at the Kings Theatre

A few more visual updates from on and off the stage at the Edinburgh International Festival.

Semiramide at the Festival Theatre

 The Revenge of Prince Zi Dan at the Festival Theatre

1001 Nightsat the Lyceum Theatre

Princess Bari at the Playhouse Theatre


Festival : on

 It has arrived! Today is the first day of the Edinburgh International Festival and it is time to get to work.

I want to get a series of posts rolling over the next month that show the tiny mechanics of this great Festival. It is a performance of sorts itself, simply on sheer scale, and i am looking forward to documenting my way through all the smoke and mirrors. Without diluting anything with words, stay tuned and Behold!